Renaissance and Baroque Quiz

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Question #1

In a fugue, the areas of relaxation where the subject is not heard are called

A strettos.

B episodes.

C countersubjects.

Question #2

The ________ is a keyboard form based on the principle of voices imitating each other.

A prelude

B toccata

C suite

D fugue

Question #3

Which of the following does NOT characterize the Baroque suite?

A It consists of a series of dance movements.

B The movements are in contrasting keys.

C Each movement is a dance type from a different country.

D The movements have contrasts of tempo and character.

Question #4

Handel’s Water Music is best described as a ________________ because it is an instrumental work made up of a series of contrasting dance movements.

A passacaglia.

B sonata da camera.

C suite.

D concerto grosso.

Question #5

The opening movement of Bach’s cantata Wachet auf is best described as a

A duet for soprano and bass.

B soprano aria.

C grand chorale fantasia.

D four-part chorale.

Question #6

A multimovement vocal genre for solo singers, chorus, and instrumentalists based on a lyric or dramatic poetic narrative is a

A concerto grosso.

B sonata.

C chorale prelude.

D cantata.

Question #7

The ________________ is a Lutheran congregational hymn tune.

A recitative

B chorale prelude

C cantata

D chorale

Question #8

Which of the following is Vivaldi’s best known set of concertos?

A Water Music

B The Brandenburg Concertos

C The Four Seasons

D Music for the Royal Fireworks

Question #9

Antonio Vivaldi lived and worked in

A Venice.

B Bologna.

C Florence.

D Rome.

Question #10

Vivaldi wrote over ____________ concertos for violin alone.

A 30

B 230

C 11

D 95

Question #11

Which the following does NOT characterize the “Hallelujah” chorus?

A fugal passages

B varied dynamics

C homophonic passages

D a cappella setting

Question #12

“Rejoice greatly, O daughter of Zion” from Messiah is an example of

A accompagnato recitative.

B four-part choral writing.

C a da capo aria.

D secco recitative.

Question #13

Oratorio differs from opera in that it has no

A orchestral accompaniment.

B choral parts.

C elaborate scenery or costumes.

D vocal soloists.

Question #14

A typical baroque operatic form was the da capo aria in ABA form in which the singer

A would invent or add new words for the returning A section.

B would insert recitatives between the sections for added variety.

C was expected to ornament or elaborate the repeated A section on the fly.

D would make a literal repetition of the opening A section after the B section.

Question #15

Handel spent the largest portion of his career in

A England.

B Germany.

C Italy.

D Ireland.

Question #16

Handel’s Messiah is an example of

A a song.

B an oratorio.

C an opera.

D musical theater.

Question #17

The greatest native-born English composer of the Baroque was

A Thomas Morley

B Henry Purcell.

C Oliver Cromwell.

D George Frideric Handel.

Question #18

Dido sings her famous lament in Purcell’s opera Dido and Aeneas just prior to

A marrying Aeneas.

B killing herself.

C leaving with Aeneas.

D killing Aeneas.

Question #19

The text of an opera is called the

A libretto.

B script.

C lyrics.

D book.

Question #20

A highly emotional lyric solo song in an opera is called

A an aria.

B an ensemble.

C a recitative.

D a chorus.

Question #21

Instrumental music of the sixteenth century often did not specify its instrumentation.

A True

B False

Question #22

The medieval ancestor of the modern trombone is the

A nakers.

B cornetto.

C sackbut.

D shawm.

Question #23

Which of the following best describes the texture of the Pope Marcellus Mass?

A three-voice polyphony

B four-voice polyphony

C monophony

D six-voice polyphony

Question #24

The vivid depiction of a text through music, known as word-painting, is a hallmark of the

A anthem.

B motet.

C madrigal.

D chanson.

Question #25

What was the primary language of the Mass?

A Italian

B Greek

C Hebrew

D Latin

Question #26

The portion of the Mass that remains the same in every celebration of the service is called

A the Ordinary.

B the Vespers.

C the Gradual

D the Proper

Question #27

A madrigal, like a motet, is a vocal composition that combines homophonic and polyphonic textures; but it differs from the church motet in that it

A uses a vernacular rather than Latin text.

B NEITHER a vernacular text NOR word painting and expressive harmonies.

C both a vernacular text AND word painting and expressive harmonies.

D more often uses word painting and expressive harmonies.

Question #28

Josquin’s Ave Maria . . . virgo serena is an example of a

A madrigal

B mass

C chason

D motet

Question #29

Which of the following was the most important secular genre of the sixteenth century?

A the ronde

B the madrigal

C the galliard

D the chanson

Question #30

A cappella refers to

A singing in a hushed manner because one is in church.

B men taking their hats off in church.

C unaccompanied vocal music.

D any form of music appropriate for church use.

Question #31

The texture of sacred Renaissance music is chiefly

A homophonic.

B polyphonic.

C monophonic.

D heterophonic.

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Renaissance and Baroque Quiz

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